rubbings

英 [ˈrʌbɪŋz]

美 [ˈrʌbɪŋz]

n.  拓本
rubbing的复数

柯林斯词典

• N-COUNT 拓印图
  Arubbingis a picture that you make by putting a piece of paper over a carved surface and then rubbing wax or chalk over it.
  1. ...a brass rubbing.
     黄铜纪念牌拓片
• See also:rub

双语例句

• After watching a seed grow into a plant a child might be inspired to draw the plant, to make leaf rubbings, to make a sculpture of a plant, or to create an original work in watercolor or tempera paints.
  当孩子观察一粒种子如何成长为一棵植物后，会激发孩子画植物，去临树叶的帖子，或者制作植物雕塑，或者创作水彩画或油画。
• Things like silk scarves, stone? rubbings and paper? cuts are light, and they make lovely presents.
  譬如说，丝巾、石刻摹拓本以及剪纸。这些东西轻，而且是受人欢迎的礼物。
• It also indicates that the the rubbings fusion of calligraphy creation is in line with the trend of historical development, and scientific and valuable.
  这也充分说明了碑帖融合的书法创作方法是符合历史发展潮流的，而且是科学的、有价值的。
• Being the basic part of Chinese Epigraphy, Bibliography of Epigraphy provides bibliographic control of stone rubbings abundant experience and theories for reference.
  传统金石目录学作为中国金石学的基本组成部分，以其近千年的深厚积累，为石刻拓片书目控制提供了丰富的经验和理论借鉴价值。
• There are rubbings from tablet inscriptions.
  这些是碑文摹拓本。
• His collection passed into the hands of Liu Tieh-yn, who was the first to make rubbings on these inscribed bones, and publish them in book form.
  刘氏成为第一个制作甲骨文拓片、第一个以图书的形式出版这些内容的人。
• In view of this, basing on the existing research results, from the visual sensitivity, visual theory and the meaning of philosophy with a new view and perspective, we intends to straight out and research on its he historical origins of Chinese calligraphy rubbings and morphology.
  有鉴于此，本文拟规避已有的研究成果，从视觉理论及其哲学层面，以新的视点和角度，对书法拓片的历史源流和形态进行梳理与考究。
• Chinese golden-stoned rubbings of the calligraphy and documentary, has a special research value.
  书法金石拓片作为书法、文献等的重要载体，具有特殊的研究价值。
• The IOB data include texts and images and rubbings.
  金文资料包括文本、图片、拓片。
• Among the first part, mainly introduce the shape of "Emendation of Ancient Klunky Rubbings" and form, create motive and utilize the psychological motive of visiting museum as the attempt of the organizational form of the works;
  在第一部分中，主要介绍《古残拓考释》的形态构成、创作动机和利用博物馆参观心理作为作品组织形式的尝试；